Patricia Ayres

Patricia Ayres

  • CV
  • Bio
  • Writings
  • SculptureCenter 2025
  • SITE Santa Fe International 2025
  • Meet Me in New York, Frieze
  • though poppies grow, Mendes Wood DM, Brussels, Belgium, 2025
  • Unrequited Remnants, Tank, Shanghai, 2024
  • Articles of the Estranged Matthew Brown Gallery 2024
  • Critical Mass, Mendes Wood DM, New York City 2023
  • Rubell Museum, Miami 2022
  • Becoming an Artist is Not a Linear Path | February 2022 Fountainhead Residency
  • Bound, Matthew Brown Gallery, 2021
  • Infanta with Tiny Bell, Galeria Wschód, 2025
  • Mendes Wood DM Gallery Esfíngico Frontal
  • This Basic Asymmetry, Museum of Contemporary Art Santa Barbara, 2022
  • Analog Diary, Some Kind of Monster Roster, Group Exhibition, July 30 - October 9, 2022
  • de la Cruz Collection
  • It Seems So Long Ago, Matthew Brown Gallery, 2020
  • entering a song, Koenig & Clinton, 2019
  • Frieze Art Fair New York, Mendes Wood DM, 2023
  • Felix Art Fair, Hollywood Roosevelt Hotel, Matthew Brown Gallery, 2022
  • Liste Art Fair Basel (solo), Switzerland Fragment Gallery, September 2021
  • MFA Thesis Exhibition, December 2018
  • Fashion
  • Exhibitions/Press
  • Contact
Office Baroque Gallery, Belgium
2022

Building on the legacy of the 1986 in situ exhibition "Chambres d’Amis," which was curated by Jan Hoet in the private houses of 51 families in Ghent (Belgium), the project “Chambres d’Amis: 52-93,” is an online project that will take place entirely on the pages of the last in print edition (2021) of Swedish retailer Ikea, in a renewed attempt at embedding art in domestic interiors.


An important point of departure for the original 1986 exhibition, was taking art out of the museum and introducing it into people’s homes. The potential of interactions between artists, inhabitants and visitors of the exhibition was an important stake for the exhibition makers. “Chambres d’Amis: 52-93” offers a digital alternative, a new balance between the domestic space - which is still, very much like in 1986, to be understood as a potentially subversive “Other” - and an altogether different set of symbolic values. As much a reflection on confinement, normative spaces and the ongoing definition of “Self," the project is also an oddball study in showing and viewing art online.


Artists participating  

Patricia Ayres, Darren Bader, Sophie Barber, Jennifer Bolande, Matthew Brannon, Anne Buckwalter, Varda Caivano, Motoyuki Daifu, David Diao, John Divola, Emily Furr, Nik Gelormino, Jef Geys, Josephine Halvorson, Kirk Hayes, Joseph Holtzman, Greg Ito, Sven ’t Jolle, Christopher Knowles, Terence Koh, Kinke Kooi, Craig Kucia, Piotr Lakomy, Meg Lipke, Kate Meissner, Alexandra Noel, Rikkert Paauw, Jon Pestoni, Dan Peterman, Sara Rahmanian, Tyson Reeder, Scott Reeder, Em Rooney, Ataru Sato, Kelsey Shwetz, Pieter Slagboom, Cynthia Talmadge, Alice Tippit, Rezi Van Lankveld, B. Wurtz, Haena Yoo.