Patricia Ayres

Patricia Ayres

  • Articles of the Estranged, April 6 - May 11, 2024, Matthew Brown Gallery, Los Angeles
  • Critical Mass, 2023, Mendes Wood DM, New York City
  • Rubell Museum, Miami
  • Museum of Contemporary Art Santa Barbara, February 5 - April 17, 2022
  • Mendes Wood DM Gallery Esfíngico Frontal
  • Art Basel Switzerland, Mendes Wood DM, 2023
  • Frieze New York 2023, Mendes Wood DM
  • de la Cruz Collection
  • Analog Diary, Some Kind of Monster Roster, Group Exhibition, July 30 - October 9, 2022
  • Matthew Brown Gallery Los Angeles, 'Recent Sculpture' Group Exhibition, April 2 - May 14, 2022
  • Threshold, Group Exhibit, 2023
  • Felix Art Fair, Matthew Brown Gallery, Hollywood Roosevelt Hotel, Los Angeles, February 17-20, 2022
  • Matthew Brown Gallery Los Angeles, 'Bound', Solo 2021
  • Liste Art Fair Basel (solo), Switzerland Fragment Gallery, September 2021
  • Studio Visit with Tom McGlynn at Sharpe Walentas, May 2021
  • Fountainhead Residency
  • MFA Thesis Exhibition, December 2018
  • MFA Thesis Review by Glenn Adamson, 2018
  • Matthew Brown Los Angeles, It Seems So Long Ago, 2020
  • Italy, 2020
  • Koenig & Clinton, entering a song, Group Exhibition, January 18 - February 23, 2019
  • Printmaking
  • Fashion
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Office Baroque Gallery, Belgium
2022

Building on the legacy of the 1986 in situ exhibition "Chambres d’Amis," which was curated by Jan Hoet in the private houses of 51 families in Ghent (Belgium), the project “Chambres d’Amis: 52-93,” is an online project that will take place entirely on the pages of the last in print edition (2021) of Swedish retailer Ikea, in a renewed attempt at embedding art in domestic interiors.


An important point of departure for the original 1986 exhibition, was taking art out of the museum and introducing it into people’s homes. The potential of interactions between artists, inhabitants and visitors of the exhibition was an important stake for the exhibition makers. “Chambres d’Amis: 52-93” offers a digital alternative, a new balance between the domestic space - which is still, very much like in 1986, to be understood as a potentially subversive “Other” - and an altogether different set of symbolic values. As much a reflection on confinement, normative spaces and the ongoing definition of “Self," the project is also an oddball study in showing and viewing art online.


Artists participating  

Patricia Ayres, Darren Bader, Sophie Barber, Jennifer Bolande, Matthew Brannon, Anne Buckwalter, Varda Caivano, Motoyuki Daifu, David Diao, John Divola, Emily Furr, Nik Gelormino, Jef Geys, Josephine Halvorson, Kirk Hayes, Joseph Holtzman, Greg Ito, Sven ’t Jolle, Christopher Knowles, Terence Koh, Kinke Kooi, Craig Kucia, Piotr Lakomy, Meg Lipke, Kate Meissner, Alexandra Noel, Rikkert Paauw, Jon Pestoni, Dan Peterman, Sara Rahmanian, Tyson Reeder, Scott Reeder, Em Rooney, Ataru Sato, Kelsey Shwetz, Pieter Slagboom, Cynthia Talmadge, Alice Tippit, Rezi Van Lankveld, B. Wurtz, Haena Yoo.